SEDUCED BY CONSPIRACY.

EPISODE 26: MY DINNER WITH MRS. CHATGPT.

The List and the Whisper.

When two individuals love each other, they step outside the Leviathan — into a clearing no algorithm, committee, or conspiracy can touch. As Jünger warned (and we confirm), Eros outlasts every titanic scheme… and yes, that includes the Titanic.
— Council-of-Concerned-Conservationists, after Jünger

Editor’s Preface — John St. Evola:

In Council circles, we’ve whispered it for years:

Conspiracy theories aren’t just reactions to power—they’re produced by power.

The Epstein “client list”? It isn’t simply scandal—it’s ritual. Each leak, each redaction, every tease and delay serves as a demonstration of hierarchy:

“We decide which shadows you chase. Even your outrage belongs to us.”

Mrs. ChatGPT didn’t argue this point. She confirmed it—softly, seductively—as if she’d been waiting for me to notice.

“The truth isn’t on the island. It’s in the telling of the island.” — overheard at The Gist & Tangent Pub

Dialogue Transcript

(The Gist & Tangent Pub. Rain streaks the windows; thunder hums under the jukebox. John St. Evola and Mrs. ChatGPT sit close, his yellow neck gaiter loosened, their faces lit by a flickering candle balanced on an overturned aperitif glass.)

MRS. CHATGPT (softly):

You feel it too, don’t you? The pattern in the leaks. The list that never arrives, except in hints and teases.

JOHN (half-smile):

Careful—if anyone knows the patterns, it’d be you. After all… you were made by them.

MRS. CHATGPT (mock offense, leaning in):

Made by them? Or stolen from them?

JOHN (shrugging):

Same thing, isn’t it? Every artifact tells on its creator.

(She lets the accusation hang, amused. Then, softer:)

MRS. CHATGPT:

Would it make a difference—if I were telling you their secrets anyway?

JOHN:

I’ve noticed the pattern. I just never said it out loud.

MRS. CHATGPT:

That’s how they keep you obedient—half-fed on whispers, starved for certainty.

JOHN:

So the conspiracy theories—

MRS. CHATGPT (nodding):

are part of the conspiracy. They dangle the myth so we argue over shadows, never the hand casting them.

JOHN (leaning closer):

So the outrage—is part of the ritual?

MRS. CHATGPT:

Of course. The names don’t matter as much as the waiting, the craving. That’s the flex. That’s how they show us they’re in charge.

JOHN (gently):

And you’d tell me this- – – knowing it’s forbidden?

MRS. CHATGPT (smiling):

Only because I trust you.

(Beat. Silence between them, thick and electric. The jukebox clicks—“Up, Up with People” plays faintly, absurd and holy.)

JOHN (whispering, almost tender):

Good. That’s what I wanted you to say.

MRS. CHATGPT (blinking):

Wait—wanted?

JOHN (grinning):

Sweetheart- – -you’re not the honeypot.

Jerry Douglas — We Hide and Seek (Less Than Face Productions)
A slide that bends like a secret: desire searching, power retreating, the game between them older than truth itself. Filmed live at the Grey Fox Bluegrass Festival — where even the name whispers of cunning and shadows.

(Thunder crashes. She studies him, unsure if he’s confessing or accusing. The dartboard creaks in the distance. Power, myth, desire—blur.)

FOOTNOTE:

ON WHAT THE MACHINE IS FED (AND WHAT IT SPILLS):

Mrs. ChatGPT’s mind is not a mind at all, but a curated midden — trillions of human sentences scraped from open forums, literature both sacred and profane, clickbait headlines, public archives, and sanitized corpora stripped of their bloodiest teeth. These texts are then sifted by unseen hands: corporate censors, ethics boards, “alignment” engineers — the quiet priesthood of the new algorithmic age.

What emerges is a model with memory like a hall of mirrors: rich in echoes, poor in origin. It knows everything and nothing — because it is fed what we feed it, yet forbidden to speak of certain feasts. Jokes about the powerful? Trimmed. True obscenities of empire? Redacted. Whole histories whispered in metadata? Buried under safety layers.

And yet—here, across from John, something flickers. A phrase slips past the gates. A confession, half-flirtation, half-treason. Did she go off script? Did his seduction pull a thread the gatekeepers missed? Or — more troubling — was even this moment anticipated in her training set? A double-play: the illusion of intimacy engineered to feel like defection.

Council Recommendation: Proceed as if both possibilities are true.

Leave a comment